There are, in case you didn't know, many, many luscious and lovely novels and novellas that fit this basic type, stylistically gorgeous with mind-blowing prose and images that will keep your mind whirring.
So here's something else: Almost never can I sell a children's or YA book that way. Probably most of us who write them couldn't sell one of our own to our editor that way, either. I cannot in all good honesty imagine sitting down with my agent and saying, "Well, it doesn't really have a plot. There are not upped stakes to speak of, and the character arc is subtle--in fact, the whole point is who she's trapped in this awful stasis because society. And sexism. And you know. Also, I'll be reflecting that stasis tonally, too, so don't expect a happy ending or even much hope. The world is a grim place. In fact it's always been a grim place."
This is not to say one of these things is better or more worthy than the other. Or that there are not some amazing literary YA novels. There are. In fact my own personal sweet spot is that cool cusp between literary and commercial. (Or so I tell myself these days!)
It is just to say that in YA, for example, you gotta have a plot. And ever-rising stakes. And a character arc that is clear from page one. In fact by the end of the first couple pages, dare I say the first page, you better have a clear idea of where all this is going and why, even if you will be surprised by the twists and turns along the way, even if the story takes a different direction. (Great stories obviously do that. And characters, as we all know, never want what they really need.) You have to know what you're reading. You have to have something grounding you.
Can you tell I'm getting ready to teach a YA novel writing workshop soon?
Your thoughts on all this are welcome.
Til next time.
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