Happy 9/12/14 y'all!
A quick five:
1. Started reading Middlesex by Jeffrey Eugenides, which has been on the TBR list for a very long time. It is a compelling read with a fascinating narration, but I do have to say that beginning this book while revising and trimming a sample chapter of a new project of my own, left me with some deep thoughts about adult novels vs YA novels and back story. I am fairly although not totally positive that the vast amount of backstory just leading up to the MCs conception would not fly in a YA novel simply because the entire matter could be covered with a sentence or two about gender. Now I might find I'm wrong about this and all that context about basal temps and Greek families and a brother named Chapter Eleven (which is still currently confusing me) and aunts predicting sexes with an egg will be of great significance later on. But my initial opinion stands. I'm feeling interested but I'm finding myself skimming. Thoughts?
2. In the 'in love' phase with a new project. Let's see if it sticks. And for any other writers reading this, I will say that I am definitely in synch with this post by brilliant editor and publishing friend Emma Dryden, which talks about loving and lusting after a new story. As well as this post that she passed on about it talking five drafts to get to the meat of the story, which I definitely relate to. I am certainly a wanderer when it comes to drafting and start out quite often in a very different place than I end up in later drafts. The core story remains, but the details? Holy cow, they end up different. This new project is case in point, although that's all I'll say for now.
3. Still loving the Jamie/Claire love story in #Outlander. And the STARZ series is still making me happy. Not just a guilty pleasure, but a well done one where the actors clearly care about making it all work. So hooray!
4. Oh how I want to show you the cover for FINDING PARIS. But I can't yet. But next month for sure, which will be six months out. For now I can leave you with this: What if your sister disappeared one night leaving only a cryptic note behind? What if you had to find her? And what if there was a boy who offered to help? What would you do? It begins in Vegas, by the way. Just so you know.
5. And did I mention that the dog sprained some soft tissue in her knee and we ended up at the emergency vet clinic on a Saturday nite and were told she had torn her ACL and would need surgery (which turned out not to be true) just after I had bought the pair of boots of my dreams? Yes. But the grand news is, that rest and inactivity was all that was needed. And she is healthy and fine now and not limping and crying and looking at me with sad eyes. So hooray!!
Happy Friday!
Showing posts with label Emma Dryden. Show all posts
Showing posts with label Emma Dryden. Show all posts
Friday, September 12, 2014
Thursday, June 19, 2014
The Carson City Lit Fest Recap: Or, Ellen Hopkins is made of Awesome
This post is far overdue but there's been thing called copy edits for FINDING PARIS (which are safely turned in to my lovely Balzer and Bray editor now) and this other thing called the first draft of IT WASN'T ALWAYS LIKE THIS (sample pages of which are now with my ever dapper Soho Press editor) and other things like the mess that had been shoved into drawers and closets around here for the past year and needed dealing with and the dog's UTI, which is now dealt with and a million other things that constitute LIFE. Not to mention some projects in the works that are as yet secret stuff.
But what I really want to talk about is Carson City Lit Fest, which took place in Carson City, NV earlier this month, in tandem with a weekend of writing workshops, the profits of which went to help support Ventana Sierra, which was founded by New York Times bestselling author and all around amazing human being, Ellen Hopkins to help young women who have aged out of the foster care system. You can find out more about this important organization here: http://ventanasierra.org
I've been privileged to know Ellen for awhile now, proud to call her both a friend and a mentor, and have been a fan of her books for even longer than that. I get to meet a lot of authors these days and trust me when I say that while the kid lit community is one of the most amazingly generous and fabulous of any career I've had, not all of them reach out a hand in the kind of friendship and mentorship that Ellen has. She is just that kind of hugely special person.
CRANK was the novel in verse that sent her career rocketing, a powerful and moving book rooted in her own daughter's terrible journey into drug addiction. It began its life as a small book, then took off in large part through Ellen's own untiring efforts to let people know how important this story was. The rest is bestselling history, but with that history comes a continued dedication to helping those (women in particular) who need someone to pull them out of situations that are swallowing them alive. CRANK was performed over the festival weekend, by the way: It's become a stage play called FLIRTING WITH THE MONSTER and I hope it too has a long and fruitful life in the theater.
The Lit Fest itself took place over a Friday - Sunday. Probably somewhere around 1500 in attendance, possibly more. Food booths and a story telling stage and a main stage amid the cottonwood trees in the perfectly dry and mostly cool Reno weather, where we authors got our 30 minutes or so to talk and entertain and read and answer questions. We came to meet our readers. We came to meet each other (more on that in a bit). And we came because Ellen asked us to. Because she had a vision and a cause and she called her community to rally. I know that we would all come again in a heartbeat. Not just because it was awesome fun - which it was. But because this woman not only talks the talk but walks the walk and it is often a difficult one because she writes about difficult issues, about people on the fringes and those people need her in ways that must be daunting some days. (My ANASTASIA and SWEET DEAD LIFE readers like my work. I do get email and letters saying that what I wrote made a difference. But let's face it: I have not been writing dark contemporary fiction. Although this will change with next year's FINDING PARIS, a book I am very, very proud of.) When I was teaching full time, more than once a student came up to me and said, "If you see Ellen Hopkins, tell her that she saved my life." And they meant it.
In any case -- it was great fun. I got to meet and appear with the very talented Jim Averbeck -- somehow we even sang a brief off key duet (don't ask; I think it was when the cottonwood trees exploded in a huge wind and pelted us with cotton balls) and I chatted (about Olive Garden and other oddities) with the very brilliant and also very talented Aaron Hartzler, who wrote a funny and wry and very thoughtful memoir called RAPTURE PRACTICE. (Jenna and Casey of THE SWEET DEAD LIFE would love this book, let me assure you!) And finally got to meet Corey Whaley and get a copy of NOGGIN, which I think Jenna
and Casey would also love, because it too tells a tale of someone who comes back different that he left and the shenanigans and heartbreaks that occur after that. And the delightful Terri Farley, whose SEVEN TEARS INTO THE SEA selkie story I'm reading right now! And many, many others including but not limited to the brilliant poet Nikki Grimes and the amazing picture book author Patricia Newman and the multi-talented Michelle Parker Rock and of course my friend Andrew Smith, who I hadn't seen since YAK FEST, which was before
GRASSHOPPER JUNGLE arrived and blew everyone, myself included, out of their seats! I adore this book so much. It deserves every award it is winning. And then some. Plus Geoff Herbach was there! My fellow Sourcebooks author and his new FAT BOY AND THE CHEERLEADERS! Herbach makes me laugh. A bunch.
This is only the tip of the author iceberg. Ellen asked. So A.S. King came. And so did Ceci Castellucci. And Veronica Rossi. And Eric Elfman. And many, many more, including Ellen's editor, the very brilliant Emma Dryden.
Plus my lovely hostess, the delightful Reno author Suzy Morgan Williams, (BULL RIDER) a fellow Class of 2k9 member and the fascinating Joanna Marple, with whom I fed April the goat each morning, followed by bacon and eggs. Because Suzy cooks! Which is great, you know.
I've missed a million names. But you get the picture.
Thank you Ellen Hopkins for creating this weekend and founding Ventana Sierra. And being the awesome human being you are.
But what I really want to talk about is Carson City Lit Fest, which took place in Carson City, NV earlier this month, in tandem with a weekend of writing workshops, the profits of which went to help support Ventana Sierra, which was founded by New York Times bestselling author and all around amazing human being, Ellen Hopkins to help young women who have aged out of the foster care system. You can find out more about this important organization here: http://ventanasierra.org
I've been privileged to know Ellen for awhile now, proud to call her both a friend and a mentor, and have been a fan of her books for even longer than that. I get to meet a lot of authors these days and trust me when I say that while the kid lit community is one of the most amazingly generous and fabulous of any career I've had, not all of them reach out a hand in the kind of friendship and mentorship that Ellen has. She is just that kind of hugely special person.
CRANK was the novel in verse that sent her career rocketing, a powerful and moving book rooted in her own daughter's terrible journey into drug addiction. It began its life as a small book, then took off in large part through Ellen's own untiring efforts to let people know how important this story was. The rest is bestselling history, but with that history comes a continued dedication to helping those (women in particular) who need someone to pull them out of situations that are swallowing them alive. CRANK was performed over the festival weekend, by the way: It's become a stage play called FLIRTING WITH THE MONSTER and I hope it too has a long and fruitful life in the theater.
The Lit Fest itself took place over a Friday - Sunday. Probably somewhere around 1500 in attendance, possibly more. Food booths and a story telling stage and a main stage amid the cottonwood trees in the perfectly dry and mostly cool Reno weather, where we authors got our 30 minutes or so to talk and entertain and read and answer questions. We came to meet our readers. We came to meet each other (more on that in a bit). And we came because Ellen asked us to. Because she had a vision and a cause and she called her community to rally. I know that we would all come again in a heartbeat. Not just because it was awesome fun - which it was. But because this woman not only talks the talk but walks the walk and it is often a difficult one because she writes about difficult issues, about people on the fringes and those people need her in ways that must be daunting some days. (My ANASTASIA and SWEET DEAD LIFE readers like my work. I do get email and letters saying that what I wrote made a difference. But let's face it: I have not been writing dark contemporary fiction. Although this will change with next year's FINDING PARIS, a book I am very, very proud of.) When I was teaching full time, more than once a student came up to me and said, "If you see Ellen Hopkins, tell her that she saved my life." And they meant it.
In any case -- it was great fun. I got to meet and appear with the very talented Jim Averbeck -- somehow we even sang a brief off key duet (don't ask; I think it was when the cottonwood trees exploded in a huge wind and pelted us with cotton balls) and I chatted (about Olive Garden and other oddities) with the very brilliant and also very talented Aaron Hartzler, who wrote a funny and wry and very thoughtful memoir called RAPTURE PRACTICE. (Jenna and Casey of THE SWEET DEAD LIFE would love this book, let me assure you!) And finally got to meet Corey Whaley and get a copy of NOGGIN, which I think Jenna
and Casey would also love, because it too tells a tale of someone who comes back different that he left and the shenanigans and heartbreaks that occur after that. And the delightful Terri Farley, whose SEVEN TEARS INTO THE SEA selkie story I'm reading right now! And many, many others including but not limited to the brilliant poet Nikki Grimes and the amazing picture book author Patricia Newman and the multi-talented Michelle Parker Rock and of course my friend Andrew Smith, who I hadn't seen since YAK FEST, which was before
GRASSHOPPER JUNGLE arrived and blew everyone, myself included, out of their seats! I adore this book so much. It deserves every award it is winning. And then some. Plus Geoff Herbach was there! My fellow Sourcebooks author and his new FAT BOY AND THE CHEERLEADERS! Herbach makes me laugh. A bunch.
This is only the tip of the author iceberg. Ellen asked. So A.S. King came. And so did Ceci Castellucci. And Veronica Rossi. And Eric Elfman. And many, many more, including Ellen's editor, the very brilliant Emma Dryden.
Plus my lovely hostess, the delightful Reno author Suzy Morgan Williams, (BULL RIDER) a fellow Class of 2k9 member and the fascinating Joanna Marple, with whom I fed April the goat each morning, followed by bacon and eggs. Because Suzy cooks! Which is great, you know.
I've missed a million names. But you get the picture.
Thank you Ellen Hopkins for creating this weekend and founding Ventana Sierra. And being the awesome human being you are.
Subscribe to:
Comments (Atom)





